Expository essay on reality tv

Nowadays, there are smart TVs that function as computers, run apps and have very high screen resolution. While this gadget keeps us glued to our couches in the living rooms, the long debate has been whether the television is really beneficial to us or not.

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Here are the advantages and disadvantages of using the television. The first and most obvious advantage of TVs is that it is a source of entertainment.

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We flock to our living rooms in the evenings to get entertained by television programs. With a wide array of channels to choose from, the television ensures that everyone is catered for. There are channels for kids, teenagers, adults and the golden generation. There are reality shows, soap operas, movie flicks, cartoons, music, environmental programs, animal channels, documentaries, news etc. Secondly, it offers career opportunities for people.

Apart from people employed in the manufacturing, transportation and retail sectors of the television business, there are many professionals employed in the television channels, such as news anchors, cameramen, journalists and editors.

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Other industries not directly related to the television, but mostly reliant on it include sports, music and film. Thirdly, it is a source and a medium of information. Thanks to the television, we are virtually aware of what happens in the world. This is especially very important during times of disaster, where people need information promptly to stay away from danger. Our leaders use the television primarily to communicate to us, because it is a medium that has the highest chance of reaching people. Television is also used for educational purposes.

There are television channels created solely for education and nothing else. We learn about the history of the world, ancient civilizations and other historical facts through our TVs. There are programs that show us how to cook different delicacies from around the world. There are programs also that are dedicated to create disease awareness and prevention. There are fashion programs to keep us stylish, home improvement shows to help keep our houses in order at a minimum cost and lifestyle programs to help us stay in shape and live healthy lives.

Television can be our companion whenever we are lonely. Psychologists claim that television can feel the shoes of our loved ones when they are not around to the point that we do not feel the effect of their absence. This is especially true when we watch our favorite shows. Furthermore, television can expand the mind, if used right.

People who watch informational channels have more facts and concepts than people who do not watch television at all. We are in the information age, so any one who is more knowledgeable has a higher chance of success than those who do not have. Television facilitates bonding and unity both at family and national levels.

In this fast paced world of ours, watching TV is among the few things that all family members do together. Sitting together with all members of the family and friends creates some bonding time. At the national level, the whole nation usually cheers for the sportsmen and women who represent our nation in global competitions.

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As we watch them win gold and our national flag is hoisted in the sky we collectively feel proud. When there is a disaster outbreak in our nation or anywhere in the world and there is mobilization through the television to help the affected in whichever way we can, there is a feeling of unity among people from all walks of life to help fight the disaster. Television can facilitate creativity. People learn new ways of solving problems. My father was and nonetheless is my hero right now and that is why I want to present him that I can defeat or at the very least retain this ailment in test. What, if just about anything can the judgements explain to us about lawful idea?

The dilemma posed in this article offers a impressive variety of problems that are out there for investigation by suggests of lawful principle. The lawful, political, social and ethical constructs that provide the underpinning to the many strategies taken by the Dwelling of Lords in A v Dwelling Secretary[1] are not capable of a straightforward pigeon holing into a outlined classification. The positivist technique of H. The "real world"—Nichols calls it the "historical world"—was broken up into fragments and aesthetically reconstituted using film form. Expository documentaries speak directly to the viewer, often in the form of an authoritative commentary employing voiceover or titles, proposing a strong argument and point of view.

These films are rhetorical, and try to persuade the viewer. They may use a rich and sonorous male voice. The voice-of-God commentary often sounds 'objective' and omniscient. Images are often not paramount; they exist to advance the argument. The rhetoric insistently presses upon us to read the images in a certain fashion. Historical documentaries in this mode deliver an unproblematic and 'objective' account and interpretation of past events.

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Observational documentaries attempt to simply and spontaneously observe lived life with a minimum of intervention. Filmmakers who worked in this subgenre often saw the poetic mode as too abstract and the expository mode as too didactic. The first observational docs date back to the s; the technological developments which made them possible include mobile lightweight cameras and portable sound recording equipment for synchronized sound.

Often, this mode of film eschewed voice-over commentary, post-synchronized dialogue and music, or re-enactments. The films aimed for immediacy, intimacy, and revelation of individual human character in ordinary life situations. Participatory documentaries believe that it is impossible for the act of filmmaking to not influence or alter the events being filmed. What these films do is emulate the approach of the anthropologist: participant-observation. Not only is the filmmaker part of the film, we also get a sense of how situations in the film are affected or altered by their presence.

Nichols: "The filmmaker steps out from behind the cloak of voice-over commentary, steps away from poetic meditation, steps down from a fly-on-the-wall perch, and becomes a social actor almost like any other. Almost like any other because the filmmaker retains the camera, and with it, a certain degree of potential power and control over events. Reflexive documentaries do not see themselves as a transparent window on the world; instead, they draw attention to their own constructedness, and the fact that they are representations.

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How does the world get represented by documentary films? This question is central to this subgenre of films. They prompt us to "question the authenticity of documentary in general. It may use Brechtian alienation strategies to jar us, in order to 'defamiliarize' what we are seeing and how we are seeing it. Performative documentaries stress subjective experience and emotional response to the world. This subgenre might also lend itself to certain groups e.

Performative docs often link up personal accounts or experiences with larger political or historical realities. Documentaries are shown in schools around the world in order to educate students. Used to introduce various topics to children, they are often used with a school lesson or shown many times to reinforce an idea. There are several challenges associated with translation of documentaries. The main two are working conditions and problems with terminology. Documentary translators very often have to meet tight deadlines.

Normally, the translator has between five and seven days to hand over the translation of a minute programme. Dubbing studios typically give translators a week to translate a documentary, but in order to earn a good salary, translators have to deliver their translations in a much shorter period, usually when the studio decides to deliver the final programme to the client sooner or when the broadcasting channel sets a tight deadline, e.

Another problem is the lack of postproduction script or the poor quality of the transcription.

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  • A correct transcription is essential for a translator to do their work properly, however many times the script is not even given to the translator, which is a major impediment since documentaries are characterised by "the abundance of terminological units and very specific proper names".

    The process of translation of a documentary programme requires working with very specific, often scientific terminology. Documentary translators usually are not specialist in a given field. Therefore, they are compelled to undertake extensive research whenever asked to make a translation of a specific documentary programme in order to understand it correctly and deliver the final product free of mistakes and inaccuracies. Generally, documentaries contain a large amount of specific terms, with which translators have to familiarise themselves on their own, for example:.


    This poses a real challenge for the translators because they have to render the meaning, i. In such case, they have to create new terminology or consult specialists to find proper solutions. Also, sometimes the official nomenclature differs from the terminology used by actual specialists, which leaves the translator to decide between using the official vocabulary that can be found in the dictionary, or rather opting for spontaneous expressions used by real experts in real life situations.